I started a few paintings after a bit of a lack of inspiration/energy. This one started out a bit differently. Here was the original painting:
It seemed very flat although had some good painting in it. I cut it up and worked on it more. The final piece was a lot more interesting.
I do edit these and make the colors brighter. I’m not the best photographer and shoot them on my iPhone on the kitchen wall. They look different in person. I have a nice collection of these paintings on black paper.
Hope everyone has a good week! Nina
I went back to the turret house I photographed a few weeks ago to try to get a better photo of both the building and the entrance door. Above is the door.
And here’s a view of the entire house, taken from the park across the street on Riverside Drive.
This was my original photo.
I’m also posting some (to me) magical flowers I keep seeing on my walks in Riverside Park. I tried to figure out what they were online with no luck. Does anyone know?
I know exactly where they are–at 106 Street–because there is the statue of Franz Sigel across the street at the top of the steps. My longest residence anywhere in my life was up those steps, down 106 Street one block, and in the middle of the block to the left on West End Avenue. But I’ve never seen these flowers before.
I hope they continue to plant them every year!
It’s Thursday, so I’m linking to Thursday Doors.
Luminous visions of the moon.
Our last Kick-About together was inspired by the lunar-like landscape of Dungeness beach and Derek Jarman’s Prospect Cottage. This week’s creative run-around-between-friends is inspired by the actual moon, or rather by Haruki Murakami’s evocative description of its silent, watchful orbit…
“I won’t over explain this, so it is what it is: the human need to control the natural world, and the eye in the sky bearing witness. (Moths were already dead)”. Moon and pinned moths. 2’ X 2’. Graphite, oil paint and pinned Moths on Gesso.
“It is usually thought of that our humble moon is essentially a big dead rock in floating in space, but I have always liked how Murakami imbues the objects and places in the lives of his characters with surrealistic life or uses them to communicate something from other strange and unseen worlds. Perhaps in our world, the moon might…
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Kerfe reminded me that it’s Draw a Bird Day. It’s always fun to draw a bird. I put this one on a background of something I’d started. Happy Draw a Bird Day! Nina
Atlantic Puffins are seabirds that breed in large colonies on cliffs or offshore islands along the North Atlantic coast of both Europe and America. When not breeding, they spend most of their time on the ocean.
Each time I look for information about the birds I draw, I find declining numbers, even if they are not yet endangered. Habitat destruction. Declining food sources. Overhunting.
Puffins are no exception. How to reverse these trends?
Crucial to finding the way is this: there is no beginning or end. No magic formula to suddenly turn things around.
It’s a process. No moment exists when the fragility and interdependence of ecosystems reaches perfect balance, when humans can relax and ignore the repercussions of our behavior. We must remain always aware, always learning, always willing to make necessary changes to insure continuity. To keep the circle connected and alive.
I challenged myself to see if I could take Merril’s quote from Jo Harjo and do a prosery for dVerse. It actually fit the theme of Draw a Bird Day quite well.
“Crucial to finding the way is this: there is no beginning or end.”
Here’s some information about Atlantic Puffins:
–Their wings become flippers underwater. They are excellent divers and can reach depths of 200 feet.
–The hinges on their beak allow them to carry several fish at once.
–They have been observed using sticks as tools.
–Their nicknames are sea parrot or clown of the sea. Puffin chicks are called pufflings.
–Puffin colonies are referred to as a burrow, a circus, or an improbability.
–Puffins mate for life and often return to the same nest or burrow. They lay a single egg which both parents brood for several months.
–They spend the winter on the open ocean, rarely returning to land.
I noticed some evil looking bugs this weekend outside. They looked like this:
We looked them up and it seemed they might be ladybugs. That would be good as I have a wooly aphid problem on my copper beech tree. Ladybugs eat aphids.
Today we saw some that had morphed into this:
That doesn’t look like a ladybug to me. My daughter said give it a chance. This is not a good looking big to my mind. Fascinating transformation, though.
I haven’t been painting for a few weeks.
I do hope my inspiration comes back soon.
long green days
open like roses
like fresh dreams
into clear blue skies
That’s my hope for June anyway.
which side of the door welcomes?
which side retreats?
every opening carries a journey–
without or within?
the threshold faces both ways
Colleen’s #TankaTuesday theme of travel/journeys works well with my twin Thursday doors. I’ve written a gogyohka.
Join Thursday Doors here: https://nofacilities.com/2021/05/27/stately-springfield-doors/
Magic worlds inspired by Prospect Cottage.
Our last Kick-About prompt was a painting by Giorgio de Chirico, an artist whose work is characterised by emptied vistas and other-worldly spaces. Inspired by Howard Sooley’s short film, this week’s showcase of new work is inspired by another improbable landscape – the beach at Dungeness and Derek Jarman’s Prospect Cottage and garden.
“I loved Howard Sooley’s film. It is beautifully peaceful. My image, a single one this time, is simply a rendition of Prospect Cottage, with the garden made even more minimalist, save for a few small creatures dotted about. This little exercise was a useful one for me, in that I was consciously dampening down my rather over-excitable palette, and also practising the careful placement of a few elements in a pared back landscape.”
“I met Derek Jarman in about 1991 when we were both involved in…
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