Hendrik Hudson Apartments (Thursday Doors)
camera
both
shoots and captures–
eye
hand lens in concert–
in or out of focus each subject
exposed
developed reproduced
in surprising ways–
transparent,
shadowed, magnified
I lived in various apartments within ten blocks uptown and downtown from this building at 110th Street and Riverside Drive for 30 years. I must have passed by hundreds of times. But never once, until a few weeks ago, did I look closely at the front door.
I observed to Dan last week that since I started looking for doors I see all kinds of things I never saw before. To be fair, I never knew anyone who lived in this building, so I never actually walked up to the entrance. But still! How could I have missed this?
The Hendrik Hudson Apartments was one of the first large buildings on upper Riverside Drive when it was opened in 1907. The architecture firm Rouse and Sloan were inspired by Italian villas, and the red tile roof was capped with two towers connected by a promenade for the residents. The building also contained, in addition to luxury apartments, a smoking room, a billiard room, a banquet hall, a restaurant with private dining rooms, and a barber shop.
Interestingly, none of the articles I found about the building mentioned the doors.
After World War II, the building fell on hard times, along with the neighborhood. The owners, who had turned it into an SRO, were sued as part of a major effort by the city to get rid of slum landlords who allowed building violations to pile up while their buildings deteriorated. A new owner renovated it in 1960, returning the rented single rooms back into apartments, and even constructing a parking garage for residents on the lower level. At that time, one of the towers was removed.
In 1971, the building became a co-op. There is currently a 3 bedroom apartment for sale for $1,800,000. It’s come a long way back to luxury from its SRO days. As has the entire neighborhood.
My poem is written in the piaku form, which can consist of any number of lines, following a syllable count to match the numbers of pi. This one is 3.14159 26535 long. For Colleen’s #TankaTuesday where the prompt, provided by David at The Skeptic’s Kaddish, is the photo of his father (with camera), below.
And, as always, find more doors with host Dan Antion, here.
The door is lovely, but I would say the entire doorway is amazing. That archway and the carved figures–wow!
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I agree–wow was exactly my reaction.
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I’ve seen this building, but I so enjoyed learning of its history. It’s magnificent. I’m glad it has been restored, albeit to a price point, I’ll never be able to approach. Your poem is wonderful.
I, too, notice much more when walking around in a city, since I started participating in this challenge under Norm.
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Thanks Dan. Back when I moved into the neighborhood in the 70s it was quite affordable because people were afraid to venture above 96th street. I originally moved in with some friends who were graduate students at Columbia. I bet those apartments sold for about $50,000 then. But who had $50,000?
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Exactly. I lived in the city in 1977-78. I remember choosing an apartment in Queens because it was $200 less than a similar apartment in Manhattan.
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My first apartment ( a shared 2-bedroom) on the UWS was $350/month. Columbia housing (where I was really not supposed to be living) was of course much cheaper, but my friends eventually graduated…
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I love your poem and how you connected with David’s picture as a photographer. Those doors are beautiful, and I’m happy they’ve been restored back to their glory. Well done, Kerfe! 🙂
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Thanks Yvette.
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First off, I love what you did with the form, a new one that I need to try now. The “eye lens hand in concert.” There is something so satisfying about those concerts. Secondly, very much enjoyed the pics of the building and learning its history. I know this sounds out there, but it almost looks like the decorative stone/concrete figures around the door were added later. The style might mesh, but the materials look different. Without old pics of the doors or access to journals, blueprints, etc., probably difficult to know?
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Thanks Jade, yes I like this form a lot too. I knew about it, but not sure if I used it before.
I’m pretty sure the stone figures were original to the building–so many many prewar buildings on the West Side have them, but nothing postwar, and certainly no one in the 1960s would have gone to the expense. It would be impossible to say for sure though, from what I was able to find out online. The sea theme does go with the Hudson name though, looking out on the river and all.
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You’re welcome, and I trust you to know more about every aspect of your city’s architecture. Maybe they cleaned it or something to make it look different? It’s a beauty.
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Architects consider themselves to be “creative artists” so who knows? Perhaps it was purposeful.
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I am totally intrigued by those two supporting figures. We would be very conspicuous staring at them in real life (I’m trying to identify what they’re resting on) so I’m sure we all appreciate you having photographed them! Also the long shot has a marvelously distorted, almost Expressionistic optical effect. Very cool.
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Thanks Sun. There are so many interesting ornaments on buildings that I never noticed before I started taking pictures of them. We must filter out enormous amounts of information as we go through our days.
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Very well done with the photo and the doors, Kerfe. The poem fits beautifully 💕🙂
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Thanks Harmony. It’s a wonderful photo to work with.
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Beautiful and splendid post, Marta. The doors are wonderful.
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Thanks Marta. Yes they are.
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Welcome Marta 👌
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It is amazing, Kerfe, how looking for doors to photograph makes you so much more observant. I have also discovered this. This door is magnificent. You live in a beautiful area.
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Thanks Robbie. There are lots of buildings from the late 1800s and early 1900s around here when craftsmanship was an important part of building. Even tenements from that time have lovely details. Now even luxury apartments start falling apart after 15 years–it’s all about money and cutting corners.
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I know, SIGH!
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Kerfe, your poem (piaku) captured the essence of the magic present in David’s photo, but also the ethereal beauty of the carvings around this door. The middle bust looks like Dionysus, the god of the grape harvest, winemaking and wine. The leaves remind me of grape leaves. What a magnificent door. The other two figures are holding up the building! I love these door images! ❤
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Kerfe, your poem (piaku) captured the essence of the magic present in David’s photo, but also the ethereal beauty of the carvings around this door. The middle bust looks like Dionysus, the god of the grape harvest, wine making and wine. The leaves remind me of grape leaves. What a magnificent door. The other two figures are holding up the building! I love these door images! ❤
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Thanks Colleen. I can’t believe it took me so long to notice it! It’s certainly unique and wonderful at the same time.
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It’s extraordinary for sure. I wonder what all the statues mean?
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I’m sure the sea theme is connected to the Hudson name and the Hudson River nearby. But door and building guardians are everywhere in buildings from that time period.
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That makes sense. I know little of New York, other than what you share. Thank you for that. I’m sure there are all kinds of sea mythology used in the area.
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So… my comments posted twice. And, It is 2:40 in the afternoon, not 6:40 pm. What is WP up to now?
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don’t ask…
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Grand entrance as so many older buildings seem to have but I also love the bits around and on top of the building.
janet
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Thanks Janet. It’s a wonderful building–it’s really true, they don’t make them like that any more.
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If I lived there I would always say hello to these door guarding. They are wonderful.
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Me too!
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I love the door and the history you provide of the buildings here, Kerfe: you must have a near endless supply of material in New York!
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I do! Thanks Ingrid.
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I enjoyed the way you drew us closer. Amazing doorway!
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It is! Thanks Brenda.
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Doors with caryatids are very impressive. Love it.
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Indeed impressive! Thanks Valentina.
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There’s something very enticing about how your photos bring us closer and closer to that door, Kerfe…
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Exactly the way I discovered it.
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🤗
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Beautiful poem, Kerfe, and a door worth a few frames. How fascinating. Thanks for the bit of history too. So glad it’s still there to admire.
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Me too. These figures could slide right into one of your books…
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Ha ha. Yes, indeed!
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Oh yes, we notice more now. Doors are eye-opening. Extraordinary entrance.
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We do. I would like to live with that entrance myself. Nothing like that on my building, sadly.
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