Rachmaninoff Slept Here (Thursday Doors)
keys–
hands play,
signify–
the piano
sings
keys
transpose–
rearrange
thresholds, open
doors
I’ve often passed the red plaque noting that 505 West End Avenue was once the home of Sergei Rachmaninoff, but it’s only recently that I really looked at the building and examined the door. The awning is a distraction, but above it there is a very large guardian keeping watch, which I noticed first and photographed from the side.
The building was designed in 1922 by architect Gaetano Ajello, who is responsible for many buildings on the Upper West Side. I think I may have even featured guardians from one of them–I’ll have to go back and check the exact address. An immigrant from Italy, he retired from architecture after 20 years to become an inventor, obtaining patents for airplanes, bicycles, and shoes.
A close up of the guardian makes me think he is yet another green man.
Rachmaninoff, in addition to being a well-known composer, was also a fine pianist and conductor. Also an immigrant, his family left Russia after the Revolution and settled in New York in 1918. He moved into 505 West End Avenue in 1926 and lived there until his death in 1943.
The building is also known for being the location of Barbra Streisand’s apartment in the film “The Mirror Has Two Faces.”
My poem is a lanturne, for Colleen’s Tanka Tuesday form prompt, chosen by Lisa, the VerseSmith.
And, as always, find more doors here with host Dan Antion.






Another interesting history-I do love Rachmaninoff, and the idea of thresholds opening doors!
LikeLiked by 2 people
Thanks Ingrid. Music and doors relate to many of the same words.
LikeLiked by 1 person
It’s a beautiful building, with an interesting history. Gaetano Ajello sounds like an amazing man. Thanks for the history and the wonderful music to read by.
LikeLiked by 2 people
Thanks Dan. It seems I’m gathering a list of architects to explore further. Ajello’s sister threw away most of his papers when he died–such a shame. But his buildings live on.
LikeLiked by 2 people
Good catch to really notice what you’d already seen. Agree about the awning, which I like generally, but not here so much. So wondering, do you play/know music yourself? Odd, I appreciate, but ask me to compose anything & I’m deaf, dumb and blind. Might’s well ask me to leap a tall building! Thanks for all of this.
LikeLiked by 2 people
I used to play the piano a bit, but gave mine to my daughter when she got her own apartment big enough for one. But I enjoy listening!
LikeLike
Kerfe, you’ve outdone yourself. What a wonderful post. I love the way the trees and branches frame your first photo.
Your poem really spoke to me. I play the piano… or rather I “play with it” since I’m not a professional, and can’t even read music. But your poem was much the way I feel when I play.
Hugs on the wing.
LikeLiked by 2 people
Thanks Teagan. The piano is a wonderful instrument. I play a little, but I gave the piano (my parents that I inherited) to my younger daughter when she moved into an apartment big enough to hold it. She plays well, and often. I do miss it sometimes though.
LikeLiked by 2 people
I love Rachhmaninoff’s romantic music. This must be his house in New York. I immediately am thinking – how they got his piano up to his apartment:)
LikeLiked by 2 people
All of these big building have freight elevators. That said, I lived in a building without one many years ago, and my neighbor said they brought her husband’s piano up and through the window with a crane!
LikeLike
Oh, if so, you would never want to move again!!
LikeLiked by 1 person
I agree.
LikeLike
It’s been too long since I’ve listened to Rachmaninoff. Thank you.
LikeLiked by 2 people
I spent a long time listening to him yesterday. Too long since for me also.
LikeLiked by 1 person
HI Kerfe, you did an excellent job with this poetry form and I love your doors. Guardians are/were certainly a popular decoration in New York. I have only seen similar faces in churches in the UK. There is nothing like that here.
LikeLiked by 2 people
Thanks Robbie. I only recently started noticing how many guardians there are. I don’t know if it’s just New York, but when and if I visit another city, I will certainly be looking for them.
LikeLiked by 1 person
Music is my favorite portal, and Rachmaninov one of my favorite composers (almost all of them, somehow, are Slavic) so this hit every sweet spot for me!
LikeLiked by 2 people
I’m glad to brighten your day! I listened to a lot of his music while putting together the post, Many portals entered…
LikeLiked by 1 person
Enjoyed this interesting post!
Actually quite perfect the way you gave us prose, led us to the zoomed in guardian, and then the piano music
Oh andGaetano Ajello was talented
LikeLiked by 2 people
He was! I’ll try to feature some of his other buildings in future posts. And it’s always a pleasure to find Eason to include music.
LikeLiked by 1 person
☀️😊🎵
LikeLiked by 1 person
All sorts of thresholds here, Kerfe. Thank you for the poem, guardian (I think you may be right about the Green Man), and the Rachmaninoff. I haven’t listened to him in forever. This is such a romantic piece–and those final notes, like “let’s go!”
LikeLiked by 1 person
And music is a door in itself. 🙂 So you have many layers of meaning here.
janet
LikeLiked by 2 people
It is. Thanks Janet.
LikeLike
keys
insights
so subtle
illuminate
Kerfe
LikeLiked by 2 people
Thanks David.
LikeLiked by 1 person
I love the multiple meaning stanzas. Great poem, Kerfe! 🙂
LikeLiked by 2 people
Thanks Yvette. Music holds many meanings.
LikeLiked by 1 person
I love Rachmaninoff, Kerfe. Your lanturne series flows with the idea of thresholds opening the doors to the future and the past. The layers of meaning are really excellent with music adding to the rhythm of it all! Lovely! ❤
LikeLiked by 2 people
Thanjs Colleen. I’m taking a break for a few weeks. Be back in August.
LikeLiked by 1 person
Enjoy your time off. I’ll see you when you return. 💜💚💛
LikeLiked by 1 person
I think he looks like a green man too. How cool that Rachmaninoff lived there. I didn’t realize he was so “contemporary.” Lovely poem, Kerfe. Beautiful lanturne.
LikeLiked by 2 people
Thanks Diana. Yes, I would have placed him more in the Victorian Age myself. But the music is timeless.
LikeLiked by 2 people
Absolutely!
LikeLike
Beautifully crafted, Kerfe. I loved it! (and the history lesson as well!)
LikeLiked by 1 person
Nice building, doorway, and guardian. He certainly looks robust. Thank you also for the poetry honoring the musician and his music.
LikeLiked by 2 people
Thanks Jade. It’s easy to pair poetry and music ( as you know)
LikeLiked by 1 person
You’re welcome.
LikeLiked by 1 person