Velez Blanco (Thursday Doors)
The patio is hushed, other-worldly, the door to an office space a jarring contrast to the feeling of suspended time. Only one other person is present, a woman quietly sitting on a bench nursing her baby. I walk around and around, taking photos and pausing in wonder at the artistry, the attention to detail, in the construction of the room.
I try to imagine the lives of the inhabitants of a castle in 1500s Spain. Was this a place for conversation, entertainment, dancing? or just a passageway to other, more practical, rooms?
My mind fast forwards to New York in the early 1900s—how did George Blumenthal fit this into his townhouse? and to what use did he put it? I see finely dressed men and women, members of high society, gossiping and showing off their latest Paris fashions. Servants discreetly move among them with trays of food and drink.
The arrival of two other people returns me to myself, surrounded by the stillness of the museum’s whispered air. If only the creatures carved into the walls and doorways would speak…
between then and now
I walk imagined pathways–
roots, branches, and trees
This room in the Metropolitan Museum of Art is the actual patio from the Castle of Velez Blanco in Andalusia, Spain. Built with the façade of a fortress in the early 1500s on the foundation of a Moorish castle, it fell into ruins in the late 1700s, and its valuables, including the entire patio, were sold off in the early 20th Century. The patio was installed in the townhouse of George Blumenthal in New York, the one where he displayed his art.
The doors and balcony contain many beautiful marble carvings by Italian sculptors working in Spain.
One of the doors serves as an entrance to office space, which is a bit disconcerting.
There are also sculptures scattered throughout the space, including Bernini’s Bacchanal
and this Siren which I found quite appealing.
You can read more about the Castle of Velez Blanco here, and see pictures of the exterior.
And see George Blumenthal’s art mansion and read about it here.
My haibun is for my own W3 prompt–Compose a haibun that contrasts past and present.
And Doors! you can always find more of them, hosted by Dan Antion, at Thursday Doors, here.
51 responses to “Velez Blanco (Thursday Doors)”
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- - June 22, 2023










Wow! This is such a wonderful post. I am glad you’re covering a couple of prompts. Your poem captures quite well the feelings and thoughts while walking through a museum, including “how did he get this into his townhouse?” It’s sad to think that the original home had to be sold off, but I guess that’s the fate of places that succumb to the ravages of time. The door to the office is a bit odd. I can’t imagine having the passage through this space become ordinary.
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Thanks Dan.
That doorway is strange. It seems like they could have put it somewhere else. But at least people weren’t coming and going when I was there.
He had another house that was demolished by the Museum of Modern art so they could build an apartment tower to generate more revenue. They have no sense of history, having also demolished the wonderful Museum of American Folk Art. A strange thing in a museum.
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That’s sad.
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Beautiful words and photos of this place. I agree it’s sad the original wa sold off in parts. The doorways and the sculptures are beautiful. I can imagine sitting here in the museum for a while.
There are a few areas like this at the Philadelphia Museum of Art. One of my favorite spots to visit.
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When my daughter was in school in Philadelphia we went to museums on our visits. I like the Philadelphia Museum too.
This room is very meditative. The Zen Garden is like that as well. Americans seem to have plundered the world for treasures to show off their wealth. And are still doing it I would imagine…
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We’re not called “Ugly Americans” for nothing . . .
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So true, Liz.
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I remember now that you told me about your daughter before.
Americans have certainly done that, but so have wealthy powerful nations throughout time. The British Museum returned art and artifacts from many countries, and even the ancient Rome took art from places the empire conquered.
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It’s true. Whoever is in power thinks the entire world belongs to them.
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“between then and now” passage — is that a haiku? It describes how I have felt lately, how — wherever I go – a part of my mind is walking a path in the woods that I know, and I imagine that I am there with the “roots, branches, and trees.” The room is amazing. What a remarkable place New York is. I guess the whole city is really a living museum.
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Yes it is. I understand that being both here and there feeling.
Washington has quite a bit of remarkable art and history as well.
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I’m always astounded at the beauty of the carvings. How did they carve these works of art with primitive tools? You give a great description of this room in the museum in your haibun. Your haiku zeros in on the intricate carvings in the most delicate way. This is fabulous, Kerfe.
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Thanks Colleen. It is astounding in every way.
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Superb and splendid doors. Historical Marvels. Too good Marta
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Thanks! So much to discover.
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Yes completely agree with you Marta. Welcome 🙏🏼
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You know my name is Kerfe, not Marta?
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Oh sorry always thought you were Marta. Will call you Kerfe from next time
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I thought you were saying you were Marta, but then I realized you thought that was me. Thanks.
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Yes I thought that was you. It’s ok thanks for letting me know
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The siren is a real beauty. Two tails are intriguing. The real art does seem anachronistic in that space. It’s good it is preserved and in a safe space, but something has been lost in the relocation in time and place.
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It would have been better left in its original location. But I’m glad to get to experience it. I can picture it with a fountain in the center.
I love that siren. Anonymous sculptor, but a good one.
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Pretty remarkable, all of it, and I appreciate your guiding. I have seen similar sirens around here too.
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I’m glad you have sirens too! Every city needs at least one…
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Easy to imagine the past with these wonderful pictures and I like how the haiku sums that up!
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Thanks Dave.
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I’m put in mind of Hearst Castle. Now there is a collection to make your head spin as to how all of these elements from all over the world were plucked out and brought to a new location and put together according to the taste of one man. And in the process a new entity was born and exists on its own terms now. Recycling of previous buildings is an age old practice. I guess it’s a reminder that everything passes and yet is never lost.
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I’ve never been to Hearst Castle, but that’s a good comparison from what I know about it. We are always constructing our environments, even those of us unable to afford antiquities.
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I think you would love it. Hearst Castle, I mean. As a creation. I think you would find so many doors there to enjoy, on their own, and as the portals they are connecting incongruous spaces.
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All the doors! yes, I would definitely enjoy that.
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What a fascinating history! I’m particularly taken with the first photo, getting the full effect of the space.
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It’s a beautiful space. The balcony was closed at that time, but I’ll try to get up there on another visit to get a view from above.
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I’ll look forward to the photos!
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You know I love these sort of photo essays you do. Each a welcome sight. This time maybe better through your eyes than a collectors. Rather odd from that other point of view. Beauty gathered up like wheat? Is it thought of as commodity? But happily you change that.
Some of the detail, the more pagan elements remind me of that old movie, The Wicker Man (first version). We humans think so many things. (much tired. sleep now.)
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Thanks Neil. Yes, humans…
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Hi Kerfe, you certainly do visit some marvelous museums and places. How amazing that this entire balcony was sold and transported from Spain to New York. Your haibun is brilliant.
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Thanks Robbie. I agree–I can’t imagine how they accomplished it.
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Fascinating! American museums are quite an experience. I have not visited the Met, but I did a tour of the National Gallery in DC, and was enchanted by the experience. Suddenly finding another person in the exhibit can be disorienting after you’ve been lost in all the art. You captured this feeling very well. And joining the crowd at the souvenir shop is like you’ve suddenly entered the real world again.
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Thanks Tanmay. Yes, souvenir shops are all the same the world over!
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Incredible! to install a Spanish castle into your home. Incredible.
btw I love your poem too 🌹
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Thanks Lesley. I know–what a concept.
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I want one!
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wow to have a museum in your own home, love it but wouldn’t be so keen on keeping it dusted 🙂
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Thanks Kate–I’m sure they had servants.
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I’d imagine so with that kind of opulent wealth 🙂
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This line is poetry in and of itself, Kerfe ~ I love how you conveyed your thoughts and physical existence in this piece… Just lovely!
BTW, this week’s W3 prompt, hosted by the kind and wonderful Selma Martin (as you know) is now live:
Enjoy!
Sincerely,
David
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Thanks David.
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🤗
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What’s getting me is that this is already so overwhelming in detail and history, and the sheer strangeness of it being here and now, and then they put that Bernini in there! I’ve only seen one of his sculptures in person but his realism just leaves me speechless.
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I agree about Bernini. You could have an empty room in the museum just with this sculpture. There is so much contained in it. There are two more Berninis along one of the walls as well. Many of the rooms in the Met are busy with stuff–not enough space (even though the museum is HUGE) for the art they own I imagine. Or maybe it’s intentional, to overwhelm.
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