River Mansion (Thursday Doors)
I heard them
say it was for sale–
bought and sold
and bought a
gain—each resident adding
layers of stories
you say don’t
dwell on what has passed
away—but
when you start
again, you always build on
what has gone before
This home at Riverside Drive and 106th Street can be yours for a mere 24 million.
The owner selling it now is Sherry Bronfman, who bought it with her husband, Seagram billionaire heir Edgar Bronfman Jr, in 1978, and stayed on with her children after the couple divorced.
It has quite a checkered history, as all these buildings from the beginning of the 20th century do. They’ve had a lot of time to accumulate stories. Designed by architect Robert D Kohn in 1900, its first owner was Broadway actress Julia Marlowe, best known for her interpretations of Shakespeare. It passed through a number of hands and eventually became a rooming house in the 1930s. In 1971 it was converted to a two-family home.
It recently served as a Kips Bay Decorator Show House, which is how I came to think about it, and photo it–a friend sent an over-the-top video tour of the decorated interior which has unfortunately since been taken down, although I found a more serious video which features the decorators talking about what they did and why. I’ve put a link at the end of the post, along with links where you can read about some of the mansion’s history, as well as see the sales listing.
My poem is a shadorma, written to the W3 prompt, for which Angela Wilson supplied an excerpt from a Leonard Cohen song, asking us to incorporate at least two of its lines into a poem. I don’t think this is exactly what she had in mind, but a number of the lines fit so well into a poem about this house…
And, as always, host Dan Antion has many more doors to see at Thursday Doors.
https://daytoninmanhattan.blogspot.com/2013/05/mansion-house-no-337-riverside-drive.html
https://streeteasy.com/building/337-riverside-drive-new_york#tab_building_detail=2
you can see the floor plan under “building facts”





Such a potent ending verse. A cool 24mil,🥺
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I know! Can you even imagine having that much money? Thanks Jude.
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Kerfe ~ you are such a natural. This poem is so lovely. I really like the imagery – and it tickles the imagination.
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Thanks David. Leonard acknowledged the darkness but he never let himself be consumed by it, so I like to think he would approve.
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hi, Kerfe ❤
Just wanna let you know that this weeks W3, hosted by the lovely Elizabeth of 'Tea and Paper' is now live:
Enjoy!
Much love,
David
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Thanks David.
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🤗
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I know! Can you even imagine having that much money? Thanks Jude.
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Kerfe, was this comment meant for me?
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Sorry…meant for Jude.
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yeah – I thought it would be a shame if he didn’t receive it 🙂
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A house like that definitely builds on what came before. I love the doors/doorway and windows with guardians. . .
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Thanks Merril. It’s a great entrance. And yes, a rich foundation for new narratives.
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You’re welcome, Kerfe.
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Layers of stories. Thank you for sharing some of this building’s stories. The poem works beautifully and pairs so well with your photos.
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Thanks D. Serendipity. It always seems to be hanging around.
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Well done, Kerfe. Great use of the prompt 💖
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Thanks Robbie.
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A gain. A mere 24 mil.
The words for right into Your poem Shadorma. You’re so good with any form. I really enjoyed this. Thanks, K. XoXo
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Thanks Selma. I know…who can imagine even having that much money?
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Kerfe, what a lovely building! Your Shadorma highlight the passage of time, new and old, and the power of new beginnings.
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Thanks Colleen. Time has many manifestations.
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Kerfe I loved your poem. A lovely history of the mansion too.
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Thanks Kamal. It’s a beautiful building.
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Always welcome Kerfe and yes I completely agree with you.
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The history of the house is fascinating, the interior decor not so much.
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They really made a mess of the inside, I agree. I wonder if they take it away as well. I hope for the sake of whoever buys it rather they do.
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When it comes to historic buildings, I think the history and the building should be respected.
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I totally agree.
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I agree, the past is the foundation for the present. Beautiful take on the prompt.
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Thanks Elizabeth. It is.
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Can you imagine having that entire building to roam around in? Your poem is quite profound. We do always want to start fresh, but we can’t ignore our history.
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It’s a lot of space for sure. I think it probably worked better as a two family house.
No, we ignore our history at our peril. As we need to learn over and over again.
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Kerfe you really scored with this prompt! I wouldn’t have even known if I hadn’t been participating – you snuck the lines in so smoothly!
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Thanks Muri. They slid in perfectly to Thursday Doors.
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The poem’s brevity and simplicity enhance its impact, making it a thoughtful reflection on the human experience and the interconnectedness of generations. Well done!
Beautiful Thursday Doors.
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Thanks Patricia!
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Only 24 million? A bargain! I do prefer old houses with stories to new ones, though…
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It’s hard to get any perspective on that amount, isn’t it? But I agree, I like places with some history.
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Kerfe I love the entirety of your shadorma, how it fits so well with your post but also how it incorporates the spirit of Cohen beautifully 🙌
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Thanks Angela, and thanks for the prompt–you got some great responses.
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I certainly did it was so hard to choose ❤️
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I imagine it was!
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Watching the video brought tears to my eyes. Each room/area design with all of the custom-made objects. I started thinking of the Janis song, “Oh Lord, won’t you give me [24 million] to buy this place. So wonderful they haven’t tampered with the exterior.
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I still can’t get it into my head that someone would have that much money. More really, because they would have to finance the rest of their life too.
I think the house is landmarked which means they have to leave the exterior as it is.
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It does boggle the mind. I usually look at it as how many people had to be cheated to get that rich. I’m surprised the landmark doesn’t apply to the building’s innards. What did you think of how they decorated it? I loved all of the rooms except I’m ambivalent about the bedroom.
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I thought it was a bit too much. I live in clutter, but the basic underlying structure is fairly simple, and I always want white walls. The overall feeling seemed heavy and dark to me.
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I see what you mean, and it is like so many designer rooms. They feel like a finished product with everything complete and just so. For you, as an artist, you need “white walls” to make room for your creations. My favorite room in there is the kitchen.
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Yes, they did a nice job with that. A big improvement.
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