I’ve been painting a lot more. These take a couple of days ’cause layering/wet paint. I have another one started. They seem to be a more intuitive or free association kind of painting with the sole purpose of working on something!
I’ll try and finish the other to post Wednesday.
Kerfe reprimanded me in her gentle way for not posting all week. I apologize. It’s been a stressful week as my husband is moving to a group practice and we’re facing some challenges.
My neighbors built their sukkah yesterday and I told the kids I’d paint some of the symbolic fruits and leaves that can hang from the rafters. Here are some that I made for the kids to cut out and hang.
I will post a bird tomorrow for Draw a Bird day. I have been loving what Kerfe has posted this week. She’s a genius.
like the Fool’s card—zero played
I’ve been neglecting the Secret Keeper’s prompts the past few weeks for lack of time, not interest. They are always like a puzzle for me, coming together in unexpected ways when I start to write. The appearance of the Fool, after a few drafts of ideas, was definitely a surprise. But serendipity is always part of the work I do. The end is never where I thought I was going.
I took the photos of Japanese ceramics with the beautiful window light reflected on the glass display cases at the Metropolitan Museum last spring. I was reminded of them by Marcy Erb’s post a few weeks back of a photo with reflected light on a Buddha, and I think they fit with this poem.
And I’ve resurrected a few Fools from past posts. The Fool (Zero in the Tarot) represents for me a capacity to be surprised and delighted, to leave an empty space to be filled by life. Wonder is everywhere; we just need make some room for it occasionally.
The Boston Museum of Art has an exhibit of the works of Matisse along with many of the objects he used in his drawings and paintings. He found this chair in an antique store and had to have it. What a find…the arms are eels!
I went to Boston this weekend to visit my daughter and see the show. You can never get too much Matisse in my opinion (having this year also been to see him in Baltimore and Montclair). And there are always works I haven’t seen before, like one of his first collages, above. I like how he drew/painted the objects and then cut them out and arranged them.
There were some beautiful textiles, like this North African cut screen.
And of course he drew from his textile collection to drape the models for his portraits.
I love the vibrant colors in the still life above.
And I had never seen this paper cut out before.
The museum is good for wandering. Suddenly you’re in a room with this burial urn from Mesoamerica. That’s a bat on top.
John Wilson’s Martin Luther King Jr. prints were a highlight.
Eldzier Cortor, another African American artist in the museum’s collection, shaped many of his print plates. This one is full of visions.
There was a small show of the prints of Terry Winters, another favorite of mine. I always want to recreate his organic visions in stitch.
And we didn’t even get to the Monets! Next visit…
I’m making an alphabet book for my cousin’s baby due pretty soon. My cousin is a big Star Wars fan so that’s the theme.
It’s pretty easy but I think he will like it.
A fun project!
Found yesterday: a fold out screen illustrating a Robert Frost poem. It was difficult to photograph but I tried. I did this long long ago when I was doing work with a lot of colored tissue paper.
Something there is that doesn’t love a wall
That sends the frozen ground swell under it
And makes gaps even two can pass abreast
This time I cut a painting on the paper cutter inadvertently leaving the first strip attached at the edge. This kept the original image somewhat together.
I stuck the little squares I cut off down the sides. It’s not glued down though. I did glue down the first one on black painted watercolor paper.
Here’s a closeup of the second one. This was the abstract I posted last week.
I am thinking of doing some very small weavings for my greeting card supply.
The abstract from the other day: I cut it into strips and wove it. It reminded me of those loopy pot holders we used to make on the little metal frame. Those were fun! Anyone out there remember making pot holders for their mothers?
This was a good way to improve an ugly painting and I kind of like it. Here’s a closeup with it on black paper.
Also a close up on white. The black is better I think.
As Nina said in her post, the “Matisse and American Art” exhibit did not allow photography…but if you are in the area, you should definitely take the time to go and see it. There are many wonderful works by both Matisse and artists who have paid homage to his work.
One piece that attracted me immediately was by Janet Taylor Pickett, and to our delight there was an entire show in the museum based on a series she had done responding to Matisse. Her creative spirit is definitely kin to mine.
Other works that delighted: a Nick Cave soundsuit.
and several words by master collage artist Romare Bearden. This one shows Circe and Odysseus.
Painter George Innes is from Montclair, and has his own room full of mysterious light.
And the Museum also has a fine collection of Native American art.
It was fun to visit with Nina and her family, and to celebrate her birthday in the company of Matisse and friends.