Mek at Work in Progress (10000hoursleft) recently received the One Lovely Blog Award and invited us to also post 7 facts about ourselves (3 1/2 each). Luckily we each have half a fact that works with the other to make one!
Kerfe: I begin every morning with coffee (cream, no sugar) and Brown Cow vanilla yogurt with fresh berries (blue, straw, black or rasp). I like iced coffee in the afternoon and herbal tea before bed.
Nina: I was skipped twice in elementary school thereby missing the basic facts of mathematics. To this day I count on my fingers. I was always the youngest kid in the class and graduated high school at 16.
Nina: One of the times I got skipped was (I think) because of a drawing I did of Kate Smith sitting on her moon and singing “when the moon comes over the mountain”. I wish I still had this drawing and for that matter I wish I had all the drawings I’ve ever done.
Kerfe: I was voted “most artistic girl” in my senior class of high school. But I really always wanted to be a cheerleader.
Kerfe: My first job (after babysitting) was working for my older brother at the University of Maryland, where he was a student employed in the physics lab. I can’t remember how much I made, but they couldn’t find any college students willing to take the job at the salary offered, so it couldn’t have been much. My brother asked me if I would like to try, so I worked on Saturdays during the school year, and during the summer between my sophomore and junior years of high school. I measured data graphs with an instrument that traced the contours, doing several readings of each to make sure they were correct, and typed punch cards for the computer (this was 1968). We lived in Bowie, Maryland, at the time, which was near the University, but moved out of working range in the middle of my junior year–thus ending my career in science.
Nina: I’ve been playing the guitar since I was about 12 years old. That would make it around 56 years of more or less playing the guitar all the time. I bought a Martin with babysitting money; it’s a small parlor guitar and not worth a lot of money but it’s my favorite possession. It never goes out of tune.
Fact 1/2 plus 1/2:
Nina: I received a BFA from the University of Cincinnati in 1969.
Kerfe: I attended the University of Cincinnati in 1970-71.
I was a student at FIT 1971-73, graduating with an AA in Fashion Design.
Nina: I received an AA from FIT in 1974.
The universe finally got its timing right around 1975. We were both employed as textile designers at Fair-tex Mills, Kerfe in knits, and Nina in prints. A friendship was born!
Our Wordpress avatar, above, which you may recognize, was put together from drawings we did of each other in 1978 (Kerfe by Nina on the left, and Nina by Kerfe on the right). The drawings that start this post are our 2017 updates, 40 years later. We look just the same, right? (or maybe even better).
Pleased to have my art paired with the poetry of Devon Balwit in this issue of “the light ekphrastic”. Devon found a whole new world in my collage.
We are pleased to share the work of the following artists and writers in the 30th issue of The Light Ekphrastic:
Devon Balwit – Blessing; magic (poetry)
Edward Doyle-Gillespie – Wrecker’s Cove; Socorro Prophesy (poetry)
Robbi Nester – The Lives of a River; War Rug (poetry)
Cara Ober – Meshuggeneh, This Train Don’t Stop (artwork)
Kerfe Roig – Blessing; magic (artwork)
Magan Ruthke – Wisdom in the Missouri; Hand-Woven in Afghanistan (artwork)
Crystal Snoddon – Lay Full and Sleeping; Garage Diagnosis (poetry)
Simon J. Ward – The Memory; An Atmospheric Railway (poetry)
Mychael Zulauf – Frail Forms; he returns with fire (music)
LuAnn Zubak – Lost; Untitled (artwork)
Nina and I consulted with the Magnetic Poetry Oracle way back in February for this one. I’ve been working on this illustration for a long time, but my stitching is always slow.
Cover cold wind
follow bright stones
breathe wild blooms
of secret sanctuary
the beautiful song
Nina has a completely different interpretation for our collaborative verse which she will be posting today as well.
Our weekly collaboration which almost reads like a letter we would write to each other. Just waiting for spring, for birdsong, for hope.
Clear crystal dew drops
cascade from weeping willows
filling the Koi pond
iridescent circles grow
a frog drinks the falling tears
earthbound sorrow, birds call souls
to return to air
Poets in order of stanza appearance: M. Zane McClellan, Merril D. Smith, Kerfe Roig
Poets for Peace is sponsoring a community renga to promote using words “to light the way” towards a better world. The last stanza of the poem, above, is my contribution this week, adding to the two previous weeks’ stanzas. You have until midnight each Friday to add your own thoughts to the chain, here.
rolling all over the place
always in pairs
“There is no rush”
really just the beginning
Claudia McGill is calling: time for another response. This time I painted the junk mail, and then collaged.
You can see other calls and responses here.
Ask these tongues
how can my dreams
shine by day
yet ache like storms
together their music rains
symphony and sky
This was another collaboration with Nina and the Oracle that fit together really easily. We decided to surprise each other today with our artwork and post separately. I punched holes to embroider on the paper, and then decided just to leave the holes. The weird light is because I photographed the collage taped to the window so the sun would shine through the holes.
Nina and I came up with this collaborative verse from the magnetic poetry oracle almost instantly, and then our artwork, done separately, also fit together perfectly. Magic! (with a little help from Photoshop)
like a streaming cloud
this linear light
plays with planets
accessing alien forces
world of galactic fire
opened completely by space
I spent one sleepless night last month doing one magnetic poem after another. I haven’t looked at them since, but I’m sure there’s plenty of raw material to play with once I get around to it.
This poem started as a collaboration between Nina and me, but she gave up, saying she couldn’t see where it was going. I tweaked it over a few days, so I don’t know who contributed what–a collaboration, still, even if I had the final say.
And another Rorschach painting underneath.