what dream is this? circling
spiralling into form
slipstreamed fertile reborn
Colleen’s Tanka Tuesday theme is dreams, so I’ve written a variety of dream poems for March, a dreamy month I think. I’ve interspersed some of my previous March grids.
in March I
rains that be
come sun-dappled spring—shining,
blooming with birdwings
part of the landscape
begin to dance
with waves of light, singing
sun into roots, filling
my nights with dreams
Poetic forms are, in order, abhanga, shadorma, haiku, badger’s hexastitch.
are the days
moving on, circling
through? or are
they giving up, slowing down,
following the un
of tidings reaching for shore
lines that aren’t there–echos of
from folds of pages–
not maps, but
sparkling against the stardust
of reflected nights–
there and then not now
as omens—uncaught, eddied
by prevailing winds
For my February grid, another mandala. We are still mired in confusing times. Too many trees, not enough forest.
Sometimes a change of perspective can clarify, or at least calm the stormy seas.
My poem Upon a Time, inspired by “Spinning Flax”, by Maria Martinetti, below, is posted on The Ekphrastic Review today.
hushabye, don’t cry–
all the pretty horses fly
shining starborne dreams
You can read the entire poem here.
My thanks once again to editor Lorette C. Luzajic for supporting my work and the interaction between the visual and written arts.
Hoping to do more painting this year and not just rocks.
growing roots into
the protective cloak
of the earth
of the earth
talking to the moon
welcome the new year
patterns—open your arms wide–
For Frank Tassone’s #haikai challenge for the New Year, and Colleen’s #tanka Tuesday challenge to write a poem of hope, I’ve written two variations of the same idea, and reprised a collage I did for an earlier #tanka Tuesday in 2019.
Colleen asked us to use our favorite form of poetry and to tell why we like it. Of course I love pantoums and all repetitive poetry, and I often write using Japanese poetic forms, but I most often write in shadorma. Somehow its rhythm and length work well with the way I express my thoughts, and when I’m stuck, it works to focus me, making me consider the exact words I’m using and why.
I used the haiku form of the first poem, with the repeating lines, in a post on kblog, but couldn’t remember where I had seen it. I’ve since discovered it is called Shi Rensa, and it was invented by Ronovan, who has his own haiku and decima challenges at RonovanWrites.
tree lights sparkling
music and kitchen cheer
exchanging gifts of Love Actu
Colleen’s challenge this week was to write a cinquain reflecting our Christmas traditions. A tree with lights, music, cooking (especially those cookies!) and watching “Love Actually”–my daughters and I were lucky enough to share all these again this year.
I hope everyone separated from family and friends for this holiday season will be able to celebrate being together soon.
Nina painted me this beautiful rock as a holiday gift.
It looks great on the window sill next to my advent calendar which is filling its winter landscape in nicely.
“True fellowship among men must be based upon a concern that is universal. It is not the private interests of the individual that create lasting fellowship among men, but rather the goals of humanity.” (Wilhelm)
“all I did was plant a seed…”—Pete Seeger
they called it Clearwater
build a boat
a replica of an 18th century Hudson River sloop
to save the river
they had a vision
if there’s something wrong
the river returned to its origins
free of contamination
realize that little things
sewage and toxic chemicals
lead to bigger things
fish would come back
get people together
humans could enjoy the river again
and they’ll act together too
fresh water without fear
italicized words from Pete Seeger
There’s so much wrong with the world–what can we do? Pete Seeger believed in working locally with the people in your community–what needs to be fixed? Realize that little things lead to bigger things.
Founded by Pete and Toshi Seeger, Hudson River Sloop Clearwater, Inc, has played a major role not only in cleaning up the Hudon River to allow both the river and the surrounding ecosystems to recover and flourish, but in pushing for judicial solutions to pollution everywhere in the United States.
Until I did a little research for this post, I did not realize that Clearwater’s opposition to the Storm King power plant led to the first court case to grant legal standing to environmental groups so that they could file lawsuits to protect the public interest. The NRDC and all organizations challenging the right of business and government to pollute or destroy ecosystems for profit began here–with the Clearwater. This is a tool whose value cannot be overestimated.
I used to frequently see the sloop sailing up and down the Hudson in the years I spent a lot of time in lower Riverside Park. It continues its mission with public education and helping people organize–and of course with music.
“Participation—that’s what’s gonna save the human race.”
The first collage/photo is from my Beach I Ching series. It seemed appropriate to this subject in many ways. The other art is from various things I’ve posted over the years.
This post was inspired by Sherry’s challenge at Earthweal this week: what happens to one, happens to us all.