St Ignatius Loyola Church (Thursday Doors)

Doctrine

I summon the sun  I summon the moon
God the Father  Mother Mary
worship His light  circle the seasons
above all  intermingled
powerful  nurturing
sovereign  beneficent
the beginning and the end  always returning

St Ignatius Loyola Church, “designed in the Baroque manner by Ditmars and Schickel”, is located on the Upper East Side of Manhattan on Park Avenue. It was dedicated in 1898 and landmarked in 1969. The front doors are large, angular, and imposing.

It houses several schools in the surrounding buildings.

The side doors are all different, but have half-moons above them to form arched entrances.

I really liked all the details of this one.

The parish, administered by the Jesuits, was founded in 1851 by Irish Catholics who fled the Potato Famine for a better life in America. This building was designed, according to the website, following the Jesuit philosophy of “honoring god through beauty and permanence.” The church has a well-known music program and contains a 30-ton pipe organ almost as large as a subway car. You can see interior photos here.

My poem is for the W3 challenge where Punam asked us to respond to her poem “Slavery” by writing about the moon from the sun’s perspective or vice versa. I’ve written a cleave poem, which doesn’t exactly answer the prompt, but gives both points of view. Many of the world’s major religions seem to take the patriarchal view of the sun, but they would do well, in my opinion, to pay more attention to the circular wisdom of the moon.

Find more doors here with host Dan Antion.

October 2021

fallen leaves
the crunch of footsteps
clear blue sky

reflecting the rain
changeable skywind spatters
colors patterned light

full moon of autumn appears
leaves too soon amidst hopes of endless harvest
fragments linger, gold glittering

stars remember every invisible map
imprinted on the approaching dark
paradigm

earth saturated with bonfires and bones

Two haiku and a sevenling for October and Colleen’s Tanka Tuesday theme, suggested by Franci Hoffman, the harvest moon. The photos are of September’s full moon traveling across the southern sky outside my window. In the first one, it’s half reflected on the window pane.

The artwork is the first page, front and back, of a handmade paper journal I bought on Etsy. I bought three, one each for myself and my sisters-in-law, as we all have great intentions to do art journals–and hopefully this will get us going. I painted the page, and stitched over the front with a technique I’ve been wanting to try. Since the color bled through the paper, I did a small autumn grid on the back.

Happy October!

halfway (Thursday doors and more)

mark not words, but boundaries–
you call them kindred
because they verge on your dreams

waves of receding
spirits returning like stars,
still and glittering

naked and exposed inside the lens of your life

My first sevenling poem, for Colleen’s Tanka Tuesday challenge with synonyms for family and peace.

I took the above photo on Broadway, somewhere in the 80s I think. If you look closely you can see my headless figure.

This door belongs to a Con Ed substation at 110th and Amsterdam. The building itself is unmemorable, but I like the design of the door.

I spotted these flowers a few weeks ago when walking in Riverside Park. I had never seen what I thought to be an oak tree flowering before.

I could not figure out its identity until this weekend I saw it had seed pods. They were instantly identifiable online–jimson weed.

A toxic member of the nightshade family, although it does have medicinal and hallucinogenic uses. Evidently animals know to steer clear, but humans fall prey to its effects on a regular basis, not always accidentally.

And I wanted to share the view of the tower of light taken from my window Saturday night.

You can join in Thursday doors here.

Ibis (Draw a Bird Day)

ibis
graceful, silent
keeper and creator
measuring magic by the moon
Thothbird

For Colleen’s #TankaTuesday poet’s choice and for Draw a Bird Day, a didactic cinquian.

The Egyptian god Thoth was often represented as an ibis, or an ibis-headed man. Like the sacred ibis bird, he was associated with knowledge, wisdom and the moon, but also much more. Scribe to the gods, he taught men to write. He was the reckoner of time, “he who balances”, a scientist and magician.

Millions of ibis birds were mummified in Ancient Egypt as offerings to Thoth. The sacred ibis is now regionally extinct in Egypt, although it is still found in other Sub-Saharan African lands.

One species of ibis found in eastern American coastal regions is the glossy ibis. From a distance it appears to be a mostly uniform dark color, but close up its feathers become an iridescent rainbow.

Today is #WorldMigratoryBirdDay. The glossy ibis flocks that breed along the NE coast migrate to the Gulf of Mexico for wintering. As with all shore dependent migratory birds, saving our natural shorelines are one key to their survival.

Also linking to earthweal open link weekend.

when skies tendril (May 2021)

It’s May! I haven’t done any artwork for a month, having used art from the archives for my April NaPoWriMo posts at kblog. So it felt good yesterday to ignore the moving boxes and pull out my watercolors and paint. I did two paintings, below–a landscape and some impressionistic flowers.

I then cut them into one inch strips and wove them together for my grid. I also did some further experiments, cutting some of the strips into one inch squares and arranging them in different ways. But that’s for another day with more time to think.

The moon visited me at dawn yesterday. It was dancing with the clouds. The Oracle managed to insert it into my May verse. Well we know how She feels about the moon.

wild winds grow full
of flowers
listen to Maysongs
birds seeding spring air
with gardens rooted deep
in the fertile paths
that follow the wandering moon

October 2020 (Harvest Moon)

autumn dance
condensed into light–
I become
gold tinged with tides,
rising and falling

I did a similar grid with circles a few years ago, but I’ve always wanted to give it another try.  As with the last one, I first painted a landscape (wishing I had my gouache, but done with watercolor), then cut it up, rearranged it, and added collage dots from my collage box.  Here’s the original landscape:

David Hockney-ish I think.  Not my usual style, and perhaps a bit brighter than I intended.  But I like the colors.

I’ve done a tanka for Colleen’s Tanka Tuesday form challenge, which also works for Frank Tassone’s challenge of harvest moon. The paint oracle is totally responsible for turning my moon painting into a tree.

My new view of the full moon.  I have to catch it when it passes between the buildings.

Happy October!

wings

Inspired by Nina’s butterfly rock, above, a collaboration with the Oracle.

spirit wanderer
life must shine beneath
this summer moon

breathe bright breezes
through flowering light

walk on air

let the nightsong
follow you home

Last night the rain kept me from seeing the moon, but I did capture it the night before.

 

Solstice Moon

horizon
trails flames of solstice–
moon shines dark

Inspired by Nina’s gouache painting, above, and Frank Tassone’s #Haikai challege to choose our own summer kigo.

Nina’s painting made me think of flowers and butterflies.  And when I saw the photo of Martha Graham dancing in the Times, I felt immediately that she must be holding the moon.

Summer solstice this year coincides with a solar eclipse of the new moon.  Magic is afoot!

moonflower

In honor of this month’s May flower full moon, the Oracle gave me a lai nouveau.  I know dVerse has moved on to the ghazal already, but I’m not ready yet for June which is still a full week away.

the moon a flower
cloud air and water
gentle
wild gardens wander
secrets uncover
cycle
we follow after
blossoming color

shine over summer
spring fall and winter
fertile
beneath blue murmur
listen as nature’s
soul fills
cloud air and water
the moon a flower

 

Pink Moon

The Oracle is, as always, right.  Even though the clouds are covering the moon, I’m singing with Aretha and the wind.

bitter language will not
chase away the raw shadows

chant your blues
into the sky–
ask the wind to sing with you
beneath this pink moon