This week’s Kick About explores the drumming of Sandy Nelson.
There’s something stripped back and uncompromising about the paintings of Basquiat, the prompt for our last Kick-About together. Likewise Sandy Nelson’s For Drummers Only, a 12 minute drum solo from 1962 that has likely had a few of us bopping about our respective work spaces or reaching for saucepans and wooden spoons to make a noise with…
“I closed my eyes and let the music fill me up… legs and feet jiggling to the beat, memories of the 606 club on the New Kings Rd..the doors opening just before midnight, musicians arriving after their various gigs and ‘ jamming’ ’til the early hours, alcohol in coffee cups and cigarette smoke hanging low, climbing the stairs at dawn. A quiet response to an exhilarating disc and time travel.” Watercolour and graphite on gesso.
“Loved the track and immediately went to motion and hit on…
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A color and form explosion inspired by Basquiat.
Our last Kick-About together was characterised by a whirl of ingenuity, with our community of artists reaching for ad-hoc materials and digging out old tools by which to produce their ‘new works in a short time’. With Jean-Michel Basquiat’s paintings as this edition’s start-point, the range of work is no less inventive, and in common with Basquiat’s Untitled (1981), offers up an intriguing x-ray of the creative mind.
“Some expressionistic ramblings for this Basquiat prompt, feeling very much cathartic and automatic. I am sure there’s some hidden meanings in there somewhere!”
“I always find Basquiat fascinating, mostly because I cannot paint like him, so it is a sort of magic to me. To try and paint something inspired by him was a challenge, and, at the same time, it gave me a sense of freedom I haven’t felt…
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Dreams of flight.
Our last Kick-About together invited us into the spectacle of Toulouse-Lautrec’s circus paintings, and so to spin around for a bit in the company of clowns and acrobats. Thanks to Kick-Abouter, Gary Thorne, we appear to be turning in circles again this week, and departing on other flights of fancy…
“Having swam my way through sciatica, it seemed appropriate to channel that commitment into a Whirligig self-portrait. It is not quite pivoting smoothly on turning into the wind – so more engineering fun ahead yet, it was massive fun to make. Apology for the amateur film making!”
“I found myself with a bit of time for a 50 second whirligig video, made of junk I had, but not having touched Premiere or After Effects for years – and playing in Garage Band too… It was fun. Thank you very much!”
“I had no…
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or angel? winged
and naked child—are you
blessing us or bringing us love?
of the sacred and the profane–
you accompany both
The original cherubim in the Bible were fearsome creatures, with two pairs of wings, four faces–lion, ox, human, eagle–and the hooves of a bull.
During the Renaissance cherubs became associated with both putto and Cupid–small naked children with wings. That’s what most of us think of when we hear the word cherub today.
You can’t see the cherubs on this second door from the front–but look carefully at both the inside and the outside of the surround.
I did a double take when I noticed that.
All the details of this door are beautiful.
The poem is a butterfly cinquain for Colleen’s #TankaTuesday prompt.
And as always find more Thursday Doors here.
some artistic thoughts about the circus…
The last edition of The Kick-About marked our second birthday and two year’s of fortnightly creative challenges encouraging artists of all stripes to make new work in a short time. As such, it was something of a three-ringed circus, an eclectic, celebratory showcase with a little bit of something for everyone. How appropriate then our first prompt of the new Kick-About year should focus our attention on the circus paintings of Toulouse-Lautrec. ‘Roll up, roll up!’
“I was instantly drawn to Henri de Toulouse-Lautrec’s line drawings that he produced much earlier in his career, and felt perhaps there was a way to capture the immediacy, simplicity and instinctiveness of those sketches with the modern digital tools I typically use. Channelling the spirit of an earlier Kick-About, Herzog’s Dancing Chicken, which also evoked manic movement and energy, I just applied the same techniques but attempted to reduce it…
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This week the Kick-About considers the work of Ukrainian artist Maria Prymachenko.
Following the linear, pared-back abstractions of our last Kick-About together, the folk art of Ukrainian artist Maria Prymachenko inspires our fifty-first showcase of new works made in a short time. Art, and the making of it, allows us welcome respite from what is dispiriting about world events and our feelings of powerlessness in the face of them. That said, art, and the making of it, also allows us the opportunity to say something about those same world events, and in so doing, feel a little less numbed, a little less muted.
“An instinctive reaction to the prompt..not overthinking just doing and ending
up with a kind of children’s illustration with a political edge.” Coloured crayon on paper. 25cm X 42cm.
“Print them out and colour in your very own folk art postcards. I used google to translate the English titles into Ukrainian, so apologies for…
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Inspired by the sculpture of Naum Gabo.
The swirling spiral introducing Alfred Hitchcock’s Vertigo is one of Saul Bass’s most iconic designs, and our last Kick-About celebrated Bass’s bold, pared-back visuals with all the usual eclecticism and creativity. Our latest Kick-About originates from another spiralling form, Naum Gabo’s Linear Construction No. 2.
“I love the shapes Gabo created – the magic of straight lines working together to create curves, and curves working together to create depth and movement. I started playing around with some yarn and metal shapes, and found myself thinking about the shadows these artifacts could create, with the right backdrop and well placed lights. I’m really pleased with the results.”
“In my other creative endeavours I recently came across the peculiar visual effects that can occur when you layer up uneven lines in a 2D or 3D space. In some cases this effect could be seen as undesirable but…
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Inspired by graphic designer Saul Bass. You know his work, even if you didn’t know his name.
From the lovely free-wheeling associations of our last Kick-About together, to the pared-down, typographic compositions of graphic designer and film-maker, Saul Bass, welcome to another showcase of new works made in a short time.
“Lots of ideas came and went with this prompt, including the darkness of present day Ukraine but, finally, I settled on something that had, hopefully, a sense of vertigo, as well as a tinge of Hitchcock. I remembered a trip to New Zealand, during which there was a minor earthquake. I was standing outside having walked in a surprisingly calm manner out of the vibrating house (no damage) and watched frozen to the spot, the feeling of the earth beneath my feet no longer being solid, static and secure but moving in waves – a living thing – resulting in a true loss of balance.” Tracing paper, string, cracked mirror, graphite and watercolour…
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This week the Kick-About explores the spontaneity of textile artist Louise Baldwin.
If the last Kick-About got us circling around ideas of different pieces and the ties that bind them, this week’s showcase, inspired by the free-associating permissions of Lousie Baldwin’s contemporary textiles, is an offering no less preoccupied with fragments, layers, and bits. Enjoy this latest collection of ‘new works made in a short time’, in the knowledge that civilisation is a fragile thing, configured from acts of creativity, however small.
“Well my life has certainly been bound up with fabric and stitch. I always have something ‘on the go’. From my earliest days I was making crocheted hairbands, scarves and berets (as worn by Bonnie Parker!) We thought we were so chic! Then came the ‘fab’ colourful clothes of the 60s with such happy memories of village hall discos and crazy parties! The 70s were slightly more sedate as lacemaking and patchwork reappeared. Like countless other sewers…
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