Some thoughts on the cutouts of Matisse this week.
Our last Kick-About together introduced me to an artist I didn’t know, Peter Mungkuri, whose monochromatic and illustrative paintings simplified plant forms in feathery marks and concentric circles. This week it’s Matisse, an artist with whom we’re likely more familiar, but whose cut-outs remind us of the joy of colour, form and working directly. But just before you settle down to enjoy this week’s showcase of new works made in a short time, a few words of congratulation to regular Kick-Abouter, Brisbane-based artist, James Randall, whose painting,Card Players, is a finalist in the 2021 Brisbane Portrait Prize. Boom! Congratulations, James.
“Matisse said collage was like ‘drawing with scissors’. Having been using collage to make images for quite a few years now, I know what he means. There’s something very direct and liberating about snipping away and playing with cut up paper. I find I…
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My work this week channeled inspiration from both Peter Mungkuri and Claudia McGill. And I hope Nina will pay special attention to the painted stones. Another wonderful selection of creations.
As a bit of a gardener myself, I am endlessly enthralled by the sheer variety of plants and their various habits and habitats: our previous Kick-About featured a uniquely rare blossom, and this week, it is artist Peter Mungkuri’s celebration of the treasured trees of the Aṉangu Pitjantjatjara Yankunytjatjara Lands of north western South Australia inspiring us to produce new work in a short time.
“My mind instantly wantedto create some cyanotypes,with their mesmerizing deep Prussian blue and infrared white, a process that is always a joy and I never tire of.”
I take Mr Mungkuri’s works to be about a sense of place, memory and stewardship of his country. I tried to evoke a similar sense of capturing memories and the way they integrate but change and blur.
“This image was an…
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Robert Okaji is raising money for Brick Street Poetry. This is his wonderful response to my suggested title “Scarecrow Visits Van Gogh’s Wheatfield in Auvers”
With its sepia tint, post-card proportions, and London landmark, this week’s prompt, Sheila Legge’s Phantom of Surrealism, might just as easily have surfaced as part of our previous Kick-About, inspired by the word souvenir – though, as holiday snaps go, this one could take some explaining. This week, Legge’s abstruse tableau has prompted paintings, collage, computer-generated landscapes, creative writing and some rather extraordinary headgear… Happy browsing!
“This prompt made me think of world conditions acting on Surrealists – where do movements come from – so my response is a meld of the flower head with environmental issues, and how I think the level of denial everyone has, to so many issues, comes into play.”
“Using the kind of desert backdrop that sets the stage of many surrealist paintings, I set out to create some of my own phantoms in the desert, and had a…
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After the epic, panoramic, and impressionist works riffing on Rutenberg’s Low Dense, I’m delighted to present an all-new showcase of work inspired by the improbable, homespun spectacle of Werner Herzog’s dancing chicken. (That’s not a sentence a person gets to write every day!). I’m delighted too to welcome some new kick-abouters into our midst, creative power-couple Chris Rutter and Evelyn Bennett. Welcome both, have fun!
Chris Rutter & Evelyn Bennett
“We have made a cut up poem from the words of the last scenes in the film. Dance, fuckers, dance!”
“I was a bit bamboozled by the dancing chicken clip from ‘Stroszek’ having never watched the film. So I opted for some zany, silly visuals, featuring the chicken, duck and rabbit! I call it ‘Head Banger Stroszek.’“
“I’m still wallowing in bright colours this…
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A symphony of color and form this week.
From the previous Kick-About’s deep and velvety shadows, courtesy of animator of silhouettes, Lotte Reiniger, to this Cinemascopic vista of glowing, saturated colours by the painter, Brian Rutenberg, and all the new work Low Dense has inspired in the same short space of fourteen days. Enjoy the view.
“When I was an ambassador for University one hot summer, similar to the melting heat in the UK at the moment, I was tasked with taking down the graduate shows of the students that proudly presented their creative work to their family, friends and fellow students. I spent a few weeks dismantling the makeshift wooden stages, pulling out nails and painting over the brightly coloured stripes and symbols that students designed to present their work in theme with their creations.
One task I had to do was take large canvases students had painted on, and throw them into…
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A variety of looks at shadowing…
Our previous Kick-About together was inspired by images of the human eye, resulting in an abundance of other-worldly imagery and one short story, in which an elderly man vanishes magically away in the middle of an art exhibition. The pioneering silhouette animations of Lotte Reiniger are likewise preoccupied with all things magical: magical lamps, magical slippers, and magical beings. This week’s showcase of artists’ work riffs on Reiniger’s unique aesthetic and narrative milieu. Happy browsing.
“I always enjoy looking beyond the silhouettes of Lotte Reiniger animations and into the exotic and intricate backgrounds that she made. I get a simple sensory pleasure from the illusion of depth that can be achieved in black and white, just using the basic principles of foreground, midground and background. Visualising big worlds is not something I am particularly good at, but as I started to develop these images, I couldn’t help…
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Exploring the inner eye…
The Kick-About No. 29 was inspired by Murakami’s description of the all-seeing moon, and this, our latest creative shindig together, has been prompted by an image of the human eye no less planetary…
“In eyeing things up, this KA drew my attention to the bees snuggling into, and reversing out of the foxgloves so, being nosey I had a peak, and discovered a tunnel of pure exotic joy with bright saturated light (optic disc) at the end of the tunnel. Taking a closer look meant later on recalling sensations, avoiding loyalty to the order of nature’s design, to arrive at – maybe the same for the bee (how presumptuous) – memory of that which came to me as a rush.” Oil on prepared paper 25cm x 25cm.
“Dear Charly Skilling – thank you for your beautiful moon submission – enormous hugs to you and your beloved…
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Luminous visions of the moon.
Our last Kick-About together was inspired by the lunar-like landscape of Dungeness beach and Derek Jarman’s Prospect Cottage. This week’s creative run-around-between-friends is inspired by the actual moon, or rather by Haruki Murakami’s evocative description of its silent, watchful orbit…
“I won’t over explain this, so it is what it is: the human need to control the natural world, and the eye in the sky bearing witness. (Moths were already dead)”. Moon and pinned moths. 2’ X 2’. Graphite, oil paint and pinned Moths on Gesso.
“It is usually thought of that our humble moon is essentially a big dead rock in floating in space, but I have always liked how Murakami imbues the objects and places in the lives of his characters with surrealistic life or uses them to communicate something from other strange and unseen worlds. Perhaps in our world, the moon might…
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Magic worlds inspired by Prospect Cottage.
Our last Kick-About prompt was a painting by Giorgio de Chirico, an artist whose work is characterised by emptied vistas and other-worldly spaces. Inspired by Howard Sooley’s short film, this week’s showcase of new work is inspired by another improbable landscape – the beach at Dungeness and Derek Jarman’s Prospect Cottage and garden.
“I loved Howard Sooley’s film. It is beautifully peaceful. My image, a single one this time, is simply a rendition of Prospect Cottage, with the garden made even more minimalist, save for a few small creatures dotted about. This little exercise was a useful one for me, in that I was consciously dampening down my rather over-excitable palette, and also practising the careful placement of a few elements in a pared back landscape.”
“I met Derek Jarman in about 1991 when we were both involved in…
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